Samuel John Peploe

Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.


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Samuel John Peploe Street Scene,France oil


Street Scene,France
Painting ID::  39331
Street Scene,France
mk147 c.1910 Oil on canvas 34x26.5cm
mk147 c.1910 Oil_on_canvas 34x26.5cm
   
   
     

Samuel John Peploe The Luxembourg Gardens oil


The Luxembourg Gardens
Painting ID::  39332
The Luxembourg Gardens
mk147 c.1910 Oil on panel 35.5x28cm
mk147 c.1910 Oil_on_panel 35.5x28cm
   
   
     

Samuel John Peploe Boats at Royan oil


Boats at Royan
Painting ID::  39333
Boats at Royan
mk147 1910 Oil on board 29x33
mk147 1910 Oil_on_board 29x33
   
   
     

Samuel John Peploe Tulips and Cup oil


Tulips and Cup
Painting ID::  39334
Tulips and Cup
mk147 c.1912 Oil on canvas 45.6x40.6cm
mk147 c.1912 Oil_on_canvas 45.6x40.6cm
   
   
     

Samuel John Peploe Still Life oil


Still Life
Painting ID::  39335
Still Life
mk147 c.1913 Oil on canvas 55x46 Scottish National Gallery of Modern Art.
   
   
     

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     Samuel John Peploe
     Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.

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